Book description
Learn the basic "grammar" of editing films and videos in Grammar of the Edit! This book shows you in no uncertain terms (independently of software) what you absolutely need to know to edit your video production. Whether you are just learning how to edit or you need a refresher, this book gives you a basic toolkit to understand the basic terms and the common practices of editing to help create a coherent and meaningful story or visual presentation. This book concentrates on where and how an edit is made and teaches you how to answer the simple question: 'What do I need to do in order to make a good edit between two shots?'
Grammar of the Edit begins with an explanation of the basic rules of visual construction that will allow you to arrange your footage logically. The book takes you from the basic vocabulary of editing, to knowing when to cut (and why), to transitions, and finally to good working practices. Designed as an easy-to-use reference, each topic is covered succinctly and is accompanied by clear photographs and diagrams that illustrate the key concepts presented in the book. Simple, elegant, and easy to use, Grammar of the Edit is a staple of any filmmaker's library.
Don't miss the companion volume, Grammar of the Shot 2e, 9780240521213!
Table of contents
- Cover
- Title
- Copyright
- Contents
- Acknowledgments
- Introduction
- Chapter One - Editing Basics
-
Chapter Two - Understanding the Visual Material
- Basic Shot Types
- Shot Categories - Increasing Complexity of Images
-
Selecting the Best Shots
- What Could Make or Break a Shot? Criteria for Assessment
- Focus
- Audio Quality
- Exposure and Color Temperature
- Framing and Composition
- Screen Direction
- 180 Degree Rule/Axis of Action
- 30 Degree Rule
- Matching Angles
- Matching Eye-line
- Continuity of Action
- Continuity of Dialogue
- Performance
- Be Familiar with All of the Footage
- So How Does All of This Help You?
- Chapter Two - Review
- Chapter Three-When to Cut and Why
- Chapter Four-Transitions and Edit Categories
- Chapter Five - Editing Terms and Topics
- Chapter Six-Working Practices
-
Chapter Seven - Key Take-Aways for New Editors
- Sound and Vision are Partners
- A New Shot Should Contain New Information
- There Should Be a Reason for Every Edit
- Pacing Has a Purpose
- Observe the Action Line
- Select the Appropriate Form of Edit
- The Better the Edit, the Less it is Noticed
- Editing is Manipulation
- The Role of an Assistant Editor
- Editing is Creating
- In Conclusion
- Chapter Seven - Review
- Appendix A - Helpful Resources for the New Filmmaker
- Appendix B - Essential Crew Positions for Motion Picture Production
- Appendix C - Practice Script
- Glossary
- Index
Product information
- Title: Grammar of the Edit, 3rd Edition
- Author(s):
- Release date: March 2013
- Publisher(s): Focal Press
- ISBN: 9781136058615
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