Book description
Tell effective visual stories by utilizing the "grammar of film and video with this elegant, modular reference. See what you absolutely need to know to put together your own film or video, shot by shot. Whether you're just learning how to frame a shot or simply looking for a refresher, Grammar of the Shot gives you a toolkit to help you build a successful visual story that flows smoothly.
Understand the basic building blocks essential for successful shot lighting, screen direction, 3D elements, camera movement, and many general practices that make for richer, multi-layered visuals. Expand your visual vocabulary and help jumpstart your career in film and video. Get ample examples and further instruction on the new companion website.
Designed as an easy-to-use reference, Grammar of the Shot presents each topic succinctly with clear photographs and diagrams illustrating the key concepts. Simple and easy to use, Grammar of the Shot is a staple of any filmmaker's library.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction
-
Chapter One – The Shots: What, How and Why?
- What to Show Your Audience?
- Choosing Your Frame
- The Basic Cinematic Building Blocks – An Introduction to Shot Types
- The Extended Family of Basic Shots – The Powers of Proximity
- Why Do We Even Have Different Shot Types?
- Pulling Images from the Written Page
- Phases of Film Production
- Let’s Practice
- Chapter One – Review
- Chapter Two – The Basics of Composition
- Chapter Three – Composition – Beyond the Basics
-
Chapter Four – Lighting Your Shots – Not Just What You See, but How You See It
- Light as an Element of Composition
- Light as Energy
- Color Temperature
- Quantity of Light: Sensitivity
- Quantity of Light: Exposure
- Quality of Light: Hard Versus Soft
- Contrast
- Color
- Basic Character Lighting: Three-Point Method
- Set and Location Lighting
- Controlling Light – Basic Tools and Techniques
- Light … and the Light Years of Learning
- Chapter Four – Review
- Chapter Five – Will it Cut? Shooting for Editing
- Chapter Six – Dynamic Shots – Subjects and Camera in Motion
-
Chapter Seven – Working Practices and General Guidelines
- Slate the Head of Your Shots
- Communicating with Talent
- Safe Action/Safe Title Areas
- How to Manually Focus a Zoom Lens
- Always Have Something in Focus
- Control Your Depth of Field
- Be Aware of Headroom
- Shooting Tight Close-Ups
- Ensure an Eye Light
- Try to Show Both Eyes of Your Subject
- Be Aware of Eye-Line Directions in Closer Shots
- Follow Action with Loose Pan and Tilt Tripod Head
- Shooting Overlapping Action for the Edit
- Storyboards and Shot Lists
- Aim for a Low Shooting Ratio
- Frame for Correct “Look Room” on Shots that Will Edit Together
- Shoot Matching Camera Angles when Covering a Dialogue Scene
- Ways to Cross the 180 Degree Line Safely
- Place Important Objects in the Top Half of Your Frame
- Be Aware of the Color Choices Made Throughout Your Project
- Keep Distracting Objects out of the Shot
- Beware of Continuity Traps While Shooting a Scene
- Use the Depth of Your Film Space to Stage Shots with Several People
- In a Three-Person Dialogue Scene, Matching Two-Shots can be Problematic for the Editor
- Zooming During a Shot
- Motivate Your Truck-In and Truck-Out Dolly Moves
- Allow the Camera More Time to Record Each Shot
- Allow Actions to Complete Before Cutting Camera
- Use Short Focal Length Lenses to Reduce Handheld Camera Shake
- Beware of Wide Lenses when Shooting Close-Up Shots
- Shooting a Chromakey
- Shooting B-Roll, 2nd Unit, and Stock Footage
- Shooting a Talking Head Interview
- During Documentary Filming, Be as Discreet as Possible
- Chapter Seven – Review
-
Chapter Eight – A Few Words of Advice
- Know the Rules Before You Break the Rules
- The Reason for Shooting is Editing
- Your Shots Should Enhance the Entire Story
- Involve the Viewer as Much as Possible
- Take Pride in the Quality of your Work and your Set Etiquette
- Know Your Equipment
- Be Familiar with Your Subject
- Understand Lighting – Both Natural and Artificial
- Study What Has Already Been Done
- In Conclusion
- Appendix A – Helpful Resources for the New Filmmaker
- Appendix B – Essential Crew Positions for Motion Picture Production
- Glossary
- Index
Product information
- Title: Grammar of the Shot, 3rd Edition
- Author(s):
- Release date: March 2013
- Publisher(s): Focal Press
- ISBN: 9781136058530
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