Chapter FiveWill It Cut? Shooting for Editing
The Chronology of Production
Continuity and Performance
Continuity and Screen Direction
The 180-Degree Rule
Jumping the Line
The 30-Degree Rule
Reciprocating Imagery
Eye-Line Matching
It is important to remember that the planning and recording of your shots is only one part of the visual storytelling process. No matter what type of fiction or non-fiction motion media project you need to create, the scripting stage is the basis for the content: the story. The careful filmmaker will generate shot lists and storyboards from the script: think of these as the “paper edit” formed during pre-production. He or she will have a vision of what the final project should look like, ...
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