Chapter ThreeComposition: Beyond the Basics

 

The Illusion of 3D

The Lines: Horizontal, Vertical, Diagonal, Curved

The Depth Factor: Foreground, Middle Ground, Background

Depth Cues: Overlapping, Object Size, Atmospherics

Lens Talk: Focal Length, Primes, Zooms

Lens Talk: Focus

Up until now, we have kept most of our compositions relatively basic: one or two subjects in a simple environment. By this point, you should feel comfortable with your camera’s aspect ratio, the families of shot types, the rule of thirds, headroom, look room, and camera angles on action. Chapter Three builds on these basic components of cinematic language and introduces new and compelling ways to compose your shots – increasing their visual information, ...

Get Grammar of the Shot, 4th Edition now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.