America has become hooked on yoga as a relaxation technique, but this centuries-old exercise is just as much about
control, balance, and energy as it is about winding down. True to its subject,
Yoga Journal
combines these funda-
mentals to create a soothing yet fluent design.
In fact, the magazine strives for a reading experience that mirrors the topic it covers. “We want to create the feeling
of walking into a yoga studio,” says art director Jonathan Wieder. “The look must be one of calm and serenity, but
we don’t want it to be soporific. There has to be a balance between calmness and energy.”
WHY IT WORKS:
Handsome, understated layouts and a palette of nature-inspired colors create a serene setting and build a strong,
continuous flow analogous to yoga positions themselves. The artists let photographs carry the design, clearly prov-
ing their understanding of the magazine’s most valuable design asset: the gorgeous human form.
Yoga Journal
Yoga Instruction for the Body and Spirit
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far left The human body forms elegant frames for
Yoga Journal’s
covers. Among fitness magazines prom-
ising perfect bodies with blaring colors and cover lines,
Yoga Journal
maintains the serenity of its subject.
left The font used for the word
yoga
in the maga-
zine’s flag resembles the graceful curves of the body in
a yoga position. The logo is a distinct part of the maga-
zine’s brand.
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e:124
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The magazine has had quite a history. First quite liter-
ally a journal for yoga teachers and school owners, it
quickly became a special-interest magazine for new-
age interests, covering everything from war and
poverty to life after death. Yoga itself was the main
focus when the magazine started in 1975, but few peo-
ple were practicing in the United States then, so it
moved quickly to the back burner.
With the practice’s resurgence in recent years,
Yoga
Journal
needed to reinvent itself, so it relaunched in
2000 as a yoga-only magazine and let the technique
regain center stage. Articles are instructional, dis-
cussing how to succeed at different poses, but also
cover benefits and related topics—health, spirituality,
and the like.
Who’s the reader? “She’s me,” says editor in chief
Kathryn Arnold. The magazine’s readership is 80 per-
cent female, Arnold says, and is, on average, 47 years
old. Readers generally have high income levels, travel
a lot, and are sophisticated, which means they have an
eye for fine design.
However, readers vary widely in their connection to
and familiarity with yoga. Readership is growing by
leaps and bounds and ranges from long-time yoga
practitioners who see it as a way of life to people who
have just started taking classes at the gym. Therefore,
the magazine’s redesign had to appeal to a broad audi-
ence, attracting them to the pages with a look that was
familiar, accessible, and attractive.
More people are turning to yoga as a physical exercise
rather than a spiritual or meditative one, too, now that
magazines and health professionals advocate it as
therapy for pain, back problems, and overall flexibility
and fitness. So layouts focus more on the physical act
of yoga—performing and improving poses—and ad-
dress their potential effects on specific physical prob-
lems. Illustrations of people in yoga poses are used in
more issues-oriented articles as well as instructional
ones, creating an ongoing challenge for artists to keep
each page looking new and interesting.
A Yoga-Focused Magazine
left Some departments
are framed with a softly
colored border, which sets
them apart from other
sections and gives them
their own personality.
left Yoga poses are not
always shown straight-
forwardly. Yoga-focused
features, such as this one
about yoga and health,
are accompanied by
artistic, emotional photo-
graphs that showcase the
beauty of positions.
125
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