March 2009
Intermediate to advanced
320 pages
7h 57m
English
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CHAPTER 29
King Lear
29.1 The Project
When I was asked if I would like to come on board as Director of Photography (DP) for King Lear, the answer was, of course, “yes”. I had worked on two previous productions with the same Producers, Richard Price and Chris Hunt of The Performance Company, and with the same directors Trevor Nunn and, again, Chris Hunt. The earlier productions were Oklahoma! and The Merchant of Venice, and I had enjoyed them both tremendously. We had shot Oklahoma! on 35 mm film and The Merchant of Venice on Digi Beta, but right from its initial conception King Lear was destined for High Definition (HD), which was very much to my taste.
The idea was to take the stage production, which had toured the world, and add a considerable ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.