January 2004
Intermediate to advanced
256 pages
7h 28m
English
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Chapter 11
Lighting Low-Budget Locations
If you’re reading this book, the chances are you’re not working on a high-budget film at a major studio. Odds are much higher that you’re dreaming of doing a low-budget film, or even a “nobudget” film. So here we’re going to tackle the concepts you need for lighting at the low-end of the budget curve, usually in existing locations rather than sets or soundstages.
In this chapter, I’ll be building on the concepts spelled out the last chapter, so I hope you read that well. No? Go back now and do your homework before reading this chapter. No dessert for you until you’ve finished your vegetables.
Low-budget filmmaking almost always uses existing locations—real houses, offices, and so on. It’s usually much ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.