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Jurors
Emanuela Frigerio
C&G Partner, New York, NY
The Dog House logo,
by DDB Dallas
“My favorite design is the The
Dog House pet grooming logo.
I love its simplicity. It is clear,
memorable, and timeless—all the
attributes a successful logo
should have. Though it unmistak-
ably communicates that this
is a pet grooming service, it also
suggests a business that is caring
and professional. The form is
pleasing, and the one-color black
solution, while basic, is perfect. I
have to admit, it even made me
smile, which is a rare quality for a
logo, indeed.”
Born and educated in the fulcro
of Italian fashion and industrial
design, Emanuela Frigerio has
worked in London, Milan, Tokyo,
and New York. Clients have
included IBM, Knoll, the Museum
of Modern Art, the Library of
Congress, U.S. General Services
Administration, the Rockefeller
Foundation, Harry N. Abrams,
Crane & Co., and the McNay
Art Museum.
A 15-year principal at Chermayeff
& Geismar, Inc., she designed
a 352-page monograph called
designing that covers 45 years of
the firm’s work. She is currently a
principal at C&G Partners together
with Steff Geissbuhler, Keith
Helmetag, and Jonathan Alger.
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Jurors
Connie Birdsall
Lippincott Mercer,
New York, NY
Central Christian Church logo,
by Mindspace
“I chose this logo because it
engaged me and pulled me into
the design on a couple of levels—
initially, the sheer restraint and
striking elegance of the forms, and
then the beautiful discovery of the
characters holding hands when
you take that second look. Such a
wonderfully simple design solution
resonates so strongly on many
levels: The cross symbolizes
Christianity, the people forms rep-
resent the church, and the simple
use of color communicates the
conflict resolution aspect. You
don’t even need the words. Then,
you just can’t get it out of your
mind. It’s sticky and memorable,
more signs of a really effective
logo design. When a designer gets
the execution of the elements just
right from a formal graphic per-
spective and tells a compelling
story, it’s a real accomplishment.”
The professional experience of
Connie Birdsall, who leads the
design practice at Lippincott
Mercer as creative director and
senior partner, encompasses 20
years of creating global corporate
and brand identity programs,
marketing communications sys-
tems, information design, launch
and implementation programs,
and brand management tools.
She has led the creative develop-
ment of branding programs in
Asia, Europe, Latin America, and
the United States for clients such
as Samsung, Citigroup, IBM,
Continental Airlines, and, most
recently, the Bank of New York
and SK Group in Korea. Birdsall
frequently shares her insights and
professional experiences with
student, design, and business
organizations. A member of the
National Board of Directors of the
American Institute of Graphic
Arts (AIGA), Birdsall holds a BFA
from the Kansas City Art Institute
and an MFA from Cranbrook
Academy of Art.
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Jurors
Graham Purnell
Cato Purnell Partners,
Melbourne, Australia
Doglogic logo
by Elephant in the Room
“My choice is Doglogic. It made
me laugh. The designer obviously
understood the core of what had to
be communicated and how to do it
with style, intelligence, and humor.
A great idea, well executed.”
Graham Purnell is partner with
Ken Cato in Cato Purnell Partners.
Under his creative direction, the
firm has acquired new clients in a
range of industries both in Aus-
tralia and overseas. After earning
a master of art degree from the
Royal College of Arts in London
in 1984, Purnell worked as senior
designer at Minale Tattersfield.
He subsequently worked in
Singapore with Batey Advertising
as design director.
Purnell’s work has appeared in
many international design publi-
cations, including D&AD, Graphic,
and Design Downunder. His work
for Energex, Coles Farmland,
Kraft, Nestlé Nescafé, Primelife,
Royal Guidedogs Association,
Suncorp Metway, and many other
clients has earned a number of
awards for Cato Purnell Partners.
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Jurors
Miles Newlyn
London, England
Kathy Taylor/Acupuncture
& Chinese Herbalist logo,
by Kahn Design
“I selected Kathy Taylor/Acupunc-
ture & Chinese Herbalist as my
favorite. I liked it because it drew
me in and made me feel comfort-
able with alternative medicine. It
could be read a number of ways—
I like that—but one that appealed
was that of knowledge passed
from generation to generation.
Hands are notoriously difficult to
use in logo design, whilst offering
great symbolism. This logo used
the element of a hand in a way
that circumvented the inherent
awkwardness, resolving in a
beautifully contained shape. A
delicate but potent touch.”
Miles Newlyn is a renowned
typographer, thinker, and designer.
He has worked for the world’s
top branding agencies to create
identities for some of the world’s
leading businesses. Newlyn
applies his talents to custom type
design as well as logo design and
is known for pushing the bound-
aries of the corporate sector. He
has designed many famous
logos, including marks for Honda
and Unilever, and is also known
for helping clients break out of
twentieth-century communica-
tions strategies and talk today’s
language of hyperindividualism.
Cult designer David Carson
describes him as a “type designer
extraordinaire,” but Newlyn says
he simply “designs for people,
not markets.”
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