PROTO
Art and Culture
Philip Ross’ art crosses the boundaries of technology and biology.
FROM HIS STUDIO HIGH ON A HILL ABOVE SAN Francisco, artist Philip Ross has a firsthand view of the transformation, expansion, and human activity below — a window onto architecture and ecological shifts, whether they be human versus earthquake over 100 tumultuous years, or puffs of fog hydrating backyard plants on a lazy afternoon.
Within the studio are the artifacts of Ross’ own shifts, the mulchy, calcified, glassy, wooden, digital, and pulpy remains of more than a decade of artwork that straddles the border of technology and biology. Sometimes wrapped neatly, sometimes just lying on the floor, these objects ...
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