August 2018
Beginner
444 pages
15h 39m
English
Content preview from Mixing Secrets for the Small Studio, 2nd Edition
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
5.1 STARTING AFRESH
For much of this book I’m discussing mixing as if you’re working with other people’s musical material, and in such situations it’s usually easiest to start with a blank slate as far as mix processing and effects are concerned, rather than working from the client’s rough-mix setup—even if you have a mixing system identical to theirs. There’s more than just convenience to this, though, as it also allows you to bring some valuable fresh perspective to the production, responding to what’s actually important without preconceptions. This is why, even if you’re actually recording, producing, and mixing everything yourself, I strongly recommend that you still treat the mixdown stage as a separate ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.