Using Nearfield Monitors
1.1 CHOOSING YOUR WEAPONS
Choosing the equipment that allows you to hear (or âmonitorâ) your mix signal is not a task to be taken lightly, because it's the window through which you'll be viewing everything you do. For those on a strict budget, however, the unappetizing reality is that monitoring is one of those areas of audio technology where the amount of cash you're prepared to splash really makes a difference. This is particularly true with regard to your studio's primary monitoring system, which needs to combine warts-and-all mix detail with a fairly even frequency response across the biggest possible slice of the 20Hz to 20kHz audible frequency spectrumâa set of characteristics that doesn't come ...
Get Mixing Secrets now with the O’Reilly learning platform.
O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.