September 2014
Intermediate to advanced
288 pages
10h 24m
English
Content preview from Music Editing for Film and TelevisionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Chapter 2
The Team
2.1 WHO’S WHO?
Music is perhaps the most universal of the arts—it is the most performed; it is listened to, commented on, loved, hated the world over. Reflecting this universality, all of those involved in the production of a film often become involved in one way or another with the music. In this chapter I describe a wide range of production roles and their typical influences, functions, and responsibilities in relation to the music. Keep in mind, however, that the boundaries of decision-making power regarding music can at times be gray and unclear.
2.2 THE DIRECTOR
The director is the boss and the creative impetus behind a film, with decision-making involvement spanning all aspects of production and postproduction (this ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.