November 2012
Intermediate to advanced
148 pages
3h 17m
English
Content preview from On Film EditingBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
14
Editing—Simple And Pure
Editing is to cutting as architecture is to bricklaying—one is an art; the other is a craft. Not all architects are brilliant, nor is all architecture high art, but at its best it is undeniably creative. So is editing. In the realm of film, however, the “architect” may also be the “bricklayer” or, more properly, vice versa: The cutter may be the editor, but not necessarily so.
It must be understood that the editing or reediting of a film is not always standard procedure. Some scripts are well written, and minor changes, if any, are made during production. Scenes are well staged, well acted, and well shot. The cutter’s job is then relatively simple; he needs only to join the relevant portions of the selected takes together ...
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