Book description
Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club.Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right.
This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.
Table of contents
- Cover
- Half Title
- Title Page
- Copyright
- Dedication
- Table of Contents
- Preface
- Acknowledgments
- Trademarks
-
Part 1: Popular Music Recording
- 1. Equipment for Remote Recording of Popular Music
-
2. Recording Techniques from Simple to Complex
- Two Mics out Front
- Recording from the PA Mixer
- Taping with a Four-Tracker
- Recording from the PA Mixer Aux Outputs
- Feed the PA Mixer Insert Sends to a Modular Digital Multitrack
- Feed the PA Mixer Direct Outs or Insert Jacks to a Recording Mixer
- Splitting the Microphones
- Multitrack Recording in a Truck
- 3. Before the Session: Planning
- 4. At the Session: Setup and Recording
- 5. After the Session: Mixing and Editing
- 6. Tips on Building a Recording Truck
-
Part 2: Classical Music Recording and Stereo Microphone Techniques
- 7. Microphone Polar Patterns and Other Specifications
- 8. Overview of Stereo Microphone Techniques
- 9. Stereo Imaging Theory
-
10. Specific Free-Field Stereo Microphone Techniques
- Localization Accuracy
- Examples of Coincident-Pair Techniques
- Examples of Near-Coincident-Pair Techniques
- Examples of Spaced-Pair Techniques
- Other Coincident-Pair Techniques
- Other Near-Coincident-Pair Techniques
-
Comparisons of Various Techniques
- Michael Williams, “Unified Theory of Microphone Systems for Stereophonic Sound Recording” (1987)
- Carl Ceoen, “Comparative Stereophonic Listening Tests” (1972)
- Benjamin Bernfeld and Bennett Smith, “Computer-Aided Model of Stereophonic Systems” (1978)
- C. Huggonet and J. Jouhaneau, “Comparative Spatial Transfer Function of Six Different Stereophonic Systems” (1987)
- M. Hibbing, “XY and MS Microphone Techniques in Comparison” (1989)
- Wieslaw Woszcyk, “A New Method for Spatial Enhancement in Stereo and Surround Recording” (1990)
- Summary
- References
- 11. Stereo Boundary-Microphone Arrays
- 12. Binaural and Transaural Techniques
- 13. Surround-Sound Techniques, DVD, and Super Audio CD
-
14. Stereo Recording Procedures
- Equipment
- Choosing the Recording Site
- Session Setup
- Monitoring
- Microphone Placement
- Multitrack Recording
- Stereo Miking for Pop Music
-
Troubleshooting Stereo Sound
- Distortion in the Microphone Signal
- Too Dead (Insufficient Ambience, Hall Reverberation, or Room Acoustics)
- Too Detailed, Too Close, Too Edgy
- Too Distant (Too Much Reverberation)
- Narrow Stereo Spread
- Excessive Separation, Hole in the Middle, or Excessive Motion of a Soloist
- Poorly Focused Images
- Images Shifted to One Side (Left-Right Balance Is Faulty)
- Lacks Depth (Lacks a Sense of Nearness and Farness of Various Instruments)
- Lacks Spaciousness
- Early Reflections Too Loud
- Bad Balance (Some Instruments Too Loud or Too Soft)
- Muddy Bass
- Rumble from Air Conditioning, Trucks, and So On
- Bad Tonal Balance (Too Dull, Too Bright, Colored)
- References
- 15. Broadcast, Film and Video, Sound Effects, and Sampling
- 16. Stereo Microphones and Accessories
- Glossary
- Index
Product information
- Title: On Location Recording Techniques
- Author(s):
- Release date: February 2013
- Publisher(s): Focal Press
- ISBN: 9781136119019
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