Photographic Possibilities, 4th Edition

Table of contents

1. Cover
2. Halftitlepage
3. Titlepage
4. Copyright-Page
5. Dedication
6. Table Of Contents
7. Preface
8. Essential Moments in Photographic Printmaking
9. The Language of Photography
10. Concepts and Technology Affecting Photographic Printmaking
11. Extending Photographic Boundaries
12. Electronic Imaging: New Ways of Seeing
13. Possessing a Sense of History
14. Predarkroom Actions: Imaginative Thinking
15. Establishing a Personal Creation Process
16. Photographic Origins
17. Thinking within a System
18. Purposes of Photography
19. Special Classic Cameras and Equipment
20. What is a Camera?
21. The Pinhole Camera
22. Handmade Cameras
23. Toy Plastic Cameras: Low-Fidelity Aesthetic
24. Disposable Cameras
25. Macro Lenses: Extreme Close-Ups
26. Lensbaby and Bokeh: Controlled Depth of Field
27. Telephoto Lens: Compressed Depth of Field
28. Wide-Angle Lenses: Expanding the View
29. Panoramic Cameras
30. Miscellaneous Special Use Cameras
31. Stereoscopic Photography
32. Stroboscopic Photography
33. Underwater Equipment and Protection
34. Image Capture: Special-Use Films, Processing, and Digital Negative Making
35. Film and the Photographer
36. General Film Processing Procedures
37. Infrared Black-And-White Film
38. Extended Red Sensitivity Film
39. High-Speed Black-And-White Film
40. Heightening Grain and Contrast
41. Ultra-Fine-Grain Black-And-White Film: Ilford Pan F Plus
42. High-Contrast Litho Films
43. Making a Litho Negative
44. Orthochromatic Film
45. Paper Negatives and Positives: Contemporary Calotypes
46. Reversing Black-And-White Film
47. The Impossible Project: Instant Positive Film
48. Processing Black-And-White Film for Permanence
49. Digital Negative Making: An Overview
50. Scanners
51. Formulas of One’S Own
52. Basic Eqmipment
53. Chemicals
54. Preparing Formulas
55. US Customary Weights and Metric Equivalents
56. Black-And-White Film Developers
57. What Happens to Silver-Based Films during Exposure and Processing?
58. Image Characteristics Of Film
59. Components And Characteristics Of Black-And-White Developers
60. Basic Developer Types
61. Postdevelopment Procedures
62. Film Developer Formulas and Their Applications
63. Visual Test for Determining Processing Times and Iso
64. Is All This Necessary?
65. Analog Fine Printmaking: Equipment, Materials, and Processes
66. The Analog Fine Printmaking Process
67. Printing Equipment
68. Standard Printing Materials
69. Print Finishing
70. Special Printing Materials
71. Processing Prints for Permanence
72. Black-and-White Paper Developers
73. Paper Developer And Developing-Out Paper
74. Components Of Black And-White Silver Print Developers
75. Additional Processing Factors
76. Controlling Contrast During Development
77. Matching Developer And Paper
78. Developer Applications And Characteristics
79. Classic Paper Developer Formulas
80. Toning for Visual Effects
81. Processing Controls
82. Basic Types of Toners
83. Processing Prints to Be Toned
84. General Working Procedures for Toners
85. Brown Toners
86. Blue Toners
87. Red Toners
88. Green Toners
89. Toning Variations
90. Classic Historic Processes
91. Salt Prints
92. Cyanotype Process
93. History of the Ambrotype and Tintype Processes
94. Kallitype And Vandyke Brownprint Processes
95. Chrysotype Process
96. Platinum And Palladium Processes
97. Pigmented and Alternative Processes
98. Gum Bichromate Process
99. Tri-Color Gum Prints from Digital Negatives
100. The Bromoil Process
101. Gumoil
102. Mordançage
103. Lith Printing
104. Electrostatic Processes: Copy Machines
105. Electrophotography: The Xerox Flat Plate System
106. Toner Transfer Process
107. Transforming Photographic Concepts: Expanding the Lexicon
108. Hand Altered Work
109. Cameraless Images
110. Chemigram
111. Cliché-Verre
112. Extended Camera Exposures
113. Postcamera Technic Jes in Search of Time
114. Multiple-Exposure Methods
115. Fabrication: Creations Made for the Camera
116. Composite Variations
117. Processing Manipulation: Reticulation
118. Hand-Coloring
119. Airbrushing
120. Transfers and Stencils
121. Safety Guidelines
122. Contact Allergies, Chemical Sensitivities, and Poison Control
123. Disposing of Chemistry
124. Darkroom Ventilation
125. Water for Photographic Processes
126. Index