book

Photoshop® CS3 Extended Video and 3D Bible

Name: Photoshop® CS3 Extended Video and 3D Bible
Author: Lisa DaNae Dayley
ISBN: 9780470241813

by Lisa DaNae Dayley

February 2008

Intermediate to advanced

464 pages

10h 8m

English

Wiley

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Copyright
About the Author
Credits
Acknowledgments
Introduction
Who Should Read This BookIf you are a new Photoshop CS3 Extended userIf you are upgrading to Photoshop CS3 ExtendedIf you are an experienced user of a 3D modeling, animation, or video editing programHow This Book Is OrganizedPart I: Manipulating 3D ModelsPart II: Editing and Creating Composites with 3D ModelsPart III: Creating Animations Using the Animation PalettePart IV: Editing Video FilesPart V: Correcting Video Files and Creating SpecialHow to Approach This BookIcons Used in This BookFeedback, Please!
I. Manipulating 3D Models
1. Introducing the Photoshop 3D Workspace
1.1. Understanding 3D File Formats1.1.1. Raster and vector images1.1.1.1. Raster images1.1.1.2. Vector images1.1.2. File extensions1.2. Getting Acquainted with the 3D Environment1.2.1. Editing the 3D object1.2.2. Editing the 3D camera1.2.3. Using the Home tool1.2.4. Manipulation tools1.2.5. Changing the Lighting and Appearance settings1.2.5.1. Light settings1.2.5.2. Appearance settings1.2.5.2.1. Render mode1.2.5.2.2. Line color1.2.5.2.3. Face color1.2.5.2.4. Opacity1.2.5.2.5. Crease threshold1.2.6. The Cross Section tool1.2.6.1. Cross section settings1.2.6.2. Alignment1.2.6.3. Position and orientation1.2.7. Playing an animation1.2.8. Accepting or canceling transformations1.3. Working in the Layers Palette1.3.1. The Layers palette menu1.3.2. Blend modes1.3.2.1. Normal and Dissolve blend modes1.3.2.2. Darkening blend modes1.3.2.3. Lightening blend modes1.3.2.4. Adding Contrast blend modes1.3.2.5. Difference and Exclusion blend modes1.3.2.6. Influencing blend modes1.3.2.7. Blending options1.3.3. Opacity and Fill settings1.3.4. Lock settings1.3.5. Linking layers1.3.6. Layer Style menu1.3.7. Creating a layer mask1.3.8. Creating a fill or adjustment layer1.3.9. Creating a group of layers1.3.10. Create a new layer or delete a layer1.3.11. Flattening an image1.4. Creating a 3D Layer with Vanishing Point1.5. Summary
2. Manipulating 3D Objects, Cameras, and Lights
2.1. Changing the View of a 3D Object or Camera2.1.1. Understanding static coordinates2.1.2. Saving a view2.2. Turning 3D Objects Around a Central Point2.2.1. Rotating a 3D object2.2.2. Rolling a 3D object2.3. Moving a 3D Object through 3D Space2.3.1. Dragging a 3D object2.3.2. Sliding a 3D object2.4. Scaling a 3D Object2.5. Positioning the Camera on a 3D Object2.5.1. Orbiting with the camera2.5.2. Rolling the camera2.5.3. Panning the camera2.5.4. Walking the camera2.5.5. Zooming the camera2.5.6. Changing the view2.5.6.1. Field of view2.5.6.2. Orthographic view2.6. Adjusting the Light Settings2.7. Summary
II. Editing and Creating Composites with 3D Models
3. Editing the Texture of a 3D Object
3.1. Changing and Correcting the Colors of a Texture3.1.1. Changing the colors of a 3D texture3.1.2. Color correcting a 3D object3.2. Adding Images, Paint, or Text to a 3D Texture3.2.1. Adding images to a 3D texture3.2.2. Painting on a 3D texture3.2.3. Adding text to a 3D texture3.3. Applying Filters to a 3D Texture3.3.1. Creating a Tiffany Lamp3.3.2. Giving a car a facelift3.3.2.1. Turning on the Lights3.3.2.2. Glossing up the paint3.4. Creating a Pattern or Texture from Scratch3.4.1. Generating patterns3.4.2. Creating a texture3.5. Saving Changed Textures to the Original File3.6. Summary

4. Adding Layers to a 3D Object to Change Its Appearance
4.1. Adding Smart Filters to 3D Object4.2. Converting a 3D File to a Smart Object4.3. Adding Smart Filters4.4. Making Changes to the Smart Layers4.5. Manipulating a Smart 3D Object4.6. Adding a Faux Texture to a 3D Object4.7. Using Smart Filters on a Selected Area4.8. Editing Existing Smart Filters4.9. Summary
5. Adding a Layer Style to a 3D Object
5.1. Adding a Layer Style5.2. Adjusting Layer Style Options5.3. Creating a Separate Layer from a Layer Style5.3.1. Creating a drop shadow5.3.2. Adding a pattern overlay5.3.3. Creating a mask to give the lamp shade an inner glow5.4. Summary
6. Creating a Fill or Adjustment Layer over a 3D Object
6.1. Applying a Fill or Adjustment Layer6.2. Creating a Solid Color, Gradient, or Pattern Fill Layer6.3. Adjusting the Brightness and Color of a 3D Object6.3.1. Levels6.3.2. Curves6.3.3. Color Balance6.3.4. Brightness/Contrast6.3.5. Black & White6.3.6. Hue/Saturation6.3.7. Selective Color6.3.8. Channel Mixer6.3.9. Gradient Map6.3.10. Photo Filter6.3.11. Exposure6.3.12. Invert6.3.13. Threshold6.3.14. Posterize6.4. Editing a Fill or Adjustment Layer6.4.1. Moving a fill or adjustment layer6.4.2. Editing the properties of a fill or adjustment layer6.4.3. Creating a mask for a fill or adjustment layer6.5. Summary
7. Creating Image Composites with 3D Objects
7.1. Creating Seamless Composites7.1.1. Combining files7.1.2. Adjusting a placed file7.1.3. Transforming a placed file7.1.4. Blending composite files7.1.4.1. Changing colors7.1.4.2. Refining edges7.1.4.3. Creating a drop shadow7.1.4.4. Changing fill or opacity settings7.1.4.5. Changing the Blend Mode7.1.4.6. Creating a fill or adjustment layer7.2. Using the Cross Section Settings7.3. Placing Duplicate 3D Models in a Composite7.4. Using Masks in a 3D Composite7.4.1. Making a selection7.4.1.1. Marquee tools7.4.1.2. Lasso tools7.4.1.3. Magic Wand tool7.4.1.4. Quick Selection tool7.4.2. Working with a Quick Mask7.4.3. Creating a Layer Mask7.4.4. Creating a clipping mask7.5. Creating Special Effects in a Composite7.5.1. Flying the carpet over a lake7.5.2. Using several techniques to add realism to a 3D object added to an image file7.6. Summary
III. Creating Animations Using the Animation Palette
8. Getting Started with the Basics of Animation
8.1. Getting Acquainted with the Animation (Timeline) Palette8.1.1. Features of the Animation (Timeline) palette8.1.1.1. Time adjustment8.1.1.2. Work area8.1.1.3. Buttons8.1.2. Defining the options found in the Animation (Timeline) palette menu8.1.3. Accessing the Video Layers menu8.1.4. Setting up for an animation project8.1.4.1. Changing the Document Settings8.1.4.2. Setting layer favorites8.2. Importing Image Sequences8.2.1. Importing an image sequence into one layer8.2.2. Importing an image sequence into multiple layers8.3. Animating DICOM files8.4. Rendering and Exporting Animations8.4.1. Saving your file for use in After Effects or Premiere8.4.2. Exporting image sequences8.4.3. Rendering and saving an animation or video in a video file format8.5. Saving Video and Animation Files for the Web and Output Devices8.5.1. Optimizing GIF and PNG files8.5.2. Optimizing the color table and image size8.5.3. Previewing Web files8.6. Summary
9. Animating Using Keyframes in the Timeline
9.1. Creating and Editing Keyframes9.1.1. Creating keyframes9.1.2. Editing keyframes9.1.3. Setting interpolation9.1.4. Creating comments9.2. Animating the Position of a Layer9.2.1. Keyframe placement9.2.2. Animating positions in multiple layers9.3. Animating the Opacity Setting9.4. Animating Using Layer Styles9.5. Animating the Global Lighting9.6. Animating Text9.7. Summary
10. Animating Using Frame Animation
10.1. Working in the Animation (Frames) Palette10.1.1. Palette features10.1.1.1. Frame delay rate10.1.1.2. Disposal method10.1.1.3. Looping options10.1.1.4. Tweening icon10.1.1.4.1. Tween With10.1.1.4.2. Frames to Add10.1.1.4.3. Layers10.1.1.4.4. Parameters10.1.1.5. Duplicating selected frames10.1.1.6. Converts to Timeline mode10.1.1.7. The Animation (Frames) palette menu10.1.2. Animation (Frames) palette menu10.1.3. Layers palette features10.2. Creating Tweened Frame Animations10.2.1. Opening an image to animate10.2.2. Creating keyframes10.2.3. Tweening keyframes10.3. Creating a Frame-by-Frame Animation10.3.1. Creating an animation from a layered image10.3.2. Building an animation in the Animation (Frames) palette10.4. Summary
11. Using Advanced Animation Techniques
11.1. Rotoscoping Basics11.1.1. Creating a new video layer11.1.2. Creating modified frames11.1.3. Utilizing onion skins11.1.4. Onion skin settings11.1.5. Restoring frames11.2. Animating 3D Objects and Still Images Frame by Frame11.2.1. Animating 3D object transformations and filters11.2.2. Animating transformations and filters on still images11.3. Reviewing Animation Techniques11.3.1. Keyframe animation in the Animation (Timeline) palette11.3.2. Animating in the Animation (Frames) palette11.3.3. Rotoscoping in the Animation (Timeline) palette11.3.4. Animating transformations or filters on a 3D object or still image11.4. Including Other Files in an Animation11.4.1. Dragging a file into an animation11.4.2. Using the Place command11.4.3. Importing new layers11.5. Creating Special Effects in an Animation11.5.1. Animating a layer mask position in an adjustment layer to create a flying comet11.5.2. Animating live video with Rotoscoping11.6. Summary
IV. Editing Video Files
12. Introducing Video Editing Capability in Photoshop
12.1. Understanding Video File Basics12.1.1. Video file formats12.1.2. Setting aspect ratios12.1.2.1. Correcting the pixel aspect ratio12.1.2.2. Changing video aspect ratios12.1.2.3. Correcting the aspect ratio of an image12.1.3. Video filters12.1.3.1. De-Interlace12.1.3.2. NTSC colors12.2. Using and Creating Automated Actions12.2.1. Introducing the Actions palette12.2.1.1. Action list12.2.1.2. Actions palette menu12.2.1.3. Toggle boxes12.2.1.4. Actions Palette buttons12.2.1.5. Changing the view of the Actions palette12.2.2. Loading existing action sets12.2.3. Creating custom actions12.2.4. Editing actions12.2.4.1. Adding a stop12.2.4.2. Adding operations12.2.4.3. Moving operations12.2.4.4. Duplicating actions and operations12.2.4.5. Modifying operations12.2.4.6. Manually insert operation12.2.4.6.1. Insert a menu item12.2.4.6.2. Insert a path12.2.4.7. Deleting an operation12.2.4.8. Modifying the action name and function key12.2.4.9. Saving actions12.2.4.10. Temporarily adjusting action settings by using the Included Command toggle12.2.5. Playing actions12.2.6. Managing the action list12.3. Optimizing the Photoshop Toolbox Views for Video Editing12.3.1. Using the Window menu12.3.2. Collapsing, expanding, and resizing palettes12.3.2.1. Collapse to buttons12.3.2.2. Expand to dock12.3.2.3. Collapse content12.3.2.4. Close palettes12.3.2.5. Changing the size of the palettes12.3.3. Moving palettes12.3.3.1. Moving palette groups and buttons12.3.3.2. Moving tabs12.3.3.3. Separating a palette from the palette menus12.4. Summary
13. Video-Editing Basics
13.1. Opening and Placing Video Files13.1.1. Opening a video file13.1.2. Adding video files13.2. Trimming Video Layers13.2.1. Dragging the layer duration bar13.2.2. Trimming layers using the menu option13.2.3. Trimming the document duration to the work area13.2.4. Looking at trimmed layers in the Animation (Timeline) palette13.3. Moving Video Layers13.3.1. Changing the layer hierarchy13.3.2. Dragging layers inside the layer duration bar13.3.3. Changing the position of the layer in and out points13.4. Splitting Video Layers13.5. Lifting and Extracting Unwanted Sections of Video13.5.1. Lifting a section of a video layer13.5.2. Extracting a section of a video layer13.6. Performing Slip Edits13.7. Adding 3D or Image Files to a Video Project13.7.1. Adding a still image to a video project13.7.1.1. Creating a new layer13.7.1.1.1. Adding a blank layer13.7.1.1.2. Adding a text layer13.7.1.2. Creating a title13.7.1.3. Adding or placing an image file13.7.2. Adding or placing a 3D model13.7.3. Looking at still image and 3D layers in the Timeline13.8. Creating Transitions13.9. Summary
V. Correcting Video Files and Creating Special Effects
14. Using Filters to Correct Video Files or Create Special Effects
14.1. Turning a Video Layer into a Smart Object14.2. Using Corrective Filters14.2.1. Sharpening a video file14.2.1.1. Using the Unsharp Mask filter14.2.1.1.1. Amount14.2.1.1.2. Radius14.2.1.1.3. Threshold14.2.1.2. Using the Smart Sharpen filter14.2.1.2.1. Choosing the Remove setting14.2.1.2.2. Shadow and Highlight settings14.2.2. Blurring a video file14.2.2.1. Automatic Blur filters14.2.2.2. The Gaussian, Box, and Shape Blur filters14.2.2.3. The Motion and Radial Blur filters14.2.2.4. Surface Blur filter14.2.2.5. Smart Blur filter14.2.2.6. Lens Blur filter14.2.2.6.1. Depth Map14.2.2.6.2. Iris14.2.2.6.3. Specular Highlights14.2.2.6.4. Noise14.2.3. Adding or reducing noise in a video file14.2.3.1. Add noise14.2.3.2. Despeckle14.2.3.3. Dust & Scratches14.2.3.4. Median14.2.3.5. Reduce Noise14.3. Using Filters to Create Special Effects14.3.1. Using the Filter Gallery14.3.2. Using other special effects filters14.3.2.1. Using filters that aren't so smart14.3.2.2. Using the Pixelate filters14.3.2.3. Using the Render filters14.3.3. Using blend modes to enhance the effect of a filter14.4. Summary
15. Correcting the Color and Tone of Video Layers
15.1. Choosing a Method for Color Correction15.1.1. Color correcting frame by frame15.1.2. Adding a fill or adjustment layer15.1.2.1. Adjusting the duration of a fill or adjustment layer15.1.2.2. Merging layers15.1.2.3. Adding a fill or adjustment layer to a Smart Object15.2. Correcting the Tone and Color of a Video15.2.1. Correcting tones in a video file15.2.1.1. Changing the levels of a video layer15.2.1.2. Changing the exposure of a video layer15.2.2. Correcting the color of a video layer15.2.2.1. Adjusting the curves of a video file15.2.2.2. Adjusting the hue and saturation of a video file15.2.2.3. Adjusting the Selective Color15.3. Creating Special Effects with a Fill or Adjustment Layer15.3.1. Applying a gradient fill to a video15.3.2. Applying a gradient map to a video15.3.3. Creating tinted video15.3.4. Using blend modes15.3.4.1. Using a blend mode to create falling snow15.3.4.2. Using a blend mode to create a surreal color effect15.3.4.3. Using a blend mode to combine color and grayscale in the same video file15.3.4.4. Using a blend mode to change the colors in an inverted video15.4. Summary
16. Cloning and Healing Images on a Video Layer
16.1. Using the Clone Stamp Tool to Correct a Video Layer16.1.1. Cloning basics16.1.2. Using the Overlay features in the Clone Source palette16.1.2.1. Changing the blend mode of the overlay16.1.2.2. Using the Auto Hide option for the overlay16.1.3. Using alternate clone sources16.1.4. Using alternate clone sources to clone one frame of video into another16.1.5. Locking the source frame16.1.6. Changing the size and rotation of the clone sample16.1.7. Using the Clone Source options bar16.2. Using the Healing Brush Tools to Correct a Video Layer16.2.1. The Red Eye tool16.2.2. The Healing Brush tool16.2.3. The Patch tool16.2.4. The Spot Healing Brush tool16.3. Summary
17. Applying Advanced Special Effects to a Video
17.1. Understanding Alpha Channels17.1.1. Creating an alpha channel17.1.2. Modifying an existing alpha channel17.1.2.1. Saving new selections to an existing alpha channel17.1.2.2. Fine-tuning alpha channels17.1.3. Rendering video with an alpha channel17.1.4. Interpreting video with an alpha channel17.2. Implementing Special Effects Using Masks17.2.1. Adding a gradient mask to highlight an area of a video17.2.2. Using a mask to implement a frame around a video17.2.3. Using a mask to create a picture-in-picture special effect17.3. Implementing Special Effects Using Layer Styles, Layers, and Blending17.3.1. Animating styles to apply a special effect17.3.2. Offsetting video layers to create an echo effect17.3.3. Blending layers of video17.4. Summary17.5. A Final Word

Content preview from Photoshop® CS3 Extended Video and 3D Bible

Chapter 9. Animating Using Keyframes in the Timeline

IN THIS CHAPTER

Creating and editing keyframes
Animating the position of a layer
Animating the Opacity setting
Animating using layer styles
Animating the global lighting
Animating text

As you've known since you were a kid, video and animation is produced by creating a series of images and showing them at such a high speed that it fools our brains into thinking that we are watching true motion. When I was a kid, I always wondered who had to draw and color the millions of pictures it took to make a full-length animated movie. Now I've watched enough special features entitled "The Making of..." to have a pretty good notion that some of those frames did not have to be created in their entirety, but many tips and tricks made the animation more efficient.

When you animate in Photoshop, you can also use many tips and tricks to animate more efficiently, as well as automate some of the most tedious tasks. We've all seen claymation productions — the animations that are created by moving clay figures a miniscule amount and taking a picture, and then repeating the process until all of the pictures are put together to create a movie. I'll tell you now that some of the animation in Photoshop is going to be just like that frame-by-frame animation. Not all of it, though, and that's where keyframes come into play.

A keyframe is one of the essential components of animating in Photoshop. A keyframe allows you skip many of the tedious steps in between "key" ...

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Photoshop® CS3 Extended Video and 3D Bible

by Lisa DaNae Dayley

Chapter 9. Animating Using Keyframes in the Timeline

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