
66 Working with Aperture
Aperture and Narrative
Aperture and Narrative
While the story may not be immediately obvious, all
photographs do tell one. The narrative component of a
photograph is usually the most emotionally important
part of an image. Even if the viewer of the photograph
is not conscious of the story the photo tells, it is the
story the viewer responds to viscerally.
Since narrative is so important to the success of an
image, it is worth every photographer’s while to think
about the story a photo tells. What is going on in the
photo? What came before the photo? What will come
afterwards? Will a casual observer who wasn’t at the
scene see the same story that you do? What can you do
to introduce compelling or interesting narrative into a
photo? Don’t be scared of questions: often the narra
-
t
ive itself consists of more questions than answers.
Of course, many things influence the role of narrative in
your photos, including your choice of subject matter and
composition. Aperture choice also plays a big role in the
effectiveness of the narrative structure behind a photo.
The choice of a small aperture (and high depth of
field) can bring disparate elements of a photo together
to create a unified story, particularly in a wide-angle
composition.
On
the other hand, a large aperture (and low depth
of field) isolates, and makes more important, the ele-
m
ents that ...