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Practical Artistry: Light & Exposure for Digital Photographers
book

Practical Artistry: Light & Exposure for Digital Photographers

by Harold Davis
April 2008
Intermediate to advanced
176 pages
5h 45m
English
O'Reilly Media, Inc.
Content preview from Practical Artistry: Light & Exposure for Digital Photographers
118 Using Light
Creative Exposure
Creative Exposure
In Chapter 1, I explained that an overexposure lets too
much light into your camera, and results in a capture
that is too bright. On the other hand, an underexposure
doesn’t let enough light into your camera, and results
in an exposure that is too dark. Whether a subject is
exposed using “too much” or “too little” light is usually
established by comparison with a reading from your
camera’s light meter. The amount of light let into the
sensor is controlled by varying one or more of the
settings that are on the camera’s side of the exposure
equation: aperture (Chapter 2), shutter speed (Chapter
3), and sensitivity (Chapter 4) as shown below.
Good photographers often use their own judgement to
modify the light reading obtained by their equipment
and intentionally over (or under) expose a photo (see
pages 46–51). Perhaps the exposure meter is simply
wrong. For example, light meters tend to average every-
t
hing to middle gray, which can lead to overexposure
of bright subjects (like snowfields).
Other times the point of the exposure modification is to
capture one part of the photo just right (letting other parts
of the photo go too dark or light). Other times, the pur-
p
ose of the exposure modification is to create an overall
effect, and increase the visual impact of the photo.
In both cases, the modified exposure ...
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Publisher Resources

ISBN: 9780596529888Errata