August 2014
Beginner to intermediate
570 pages
17h 24m
English
Content preview from Producing Great Sound for Film and Video, 4th Edition
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CHAPTER 12
Levels and Digitizing
ROSE’S RULES
• Getting clean audio into your NLE can be as easy as plugging in a drive. But things can go wrong: be ready to check and fix damage before you edit.
• SMPTE timecode might not be necessary—generations of great Hollywood films were made without it. But it’s handy for keeping track of elements … and if you’re producing for broadcast, timecode is important.
• Optical film and digital video run at different frame rates … but even after you’ve made the obvious adjustment, a few extra steps might be needed for long-term sync.
If you’ve got new equipment and aren’t trying to push the envelope, ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.