Salted Paper Printing

Figures 0.1–0.4.Turnagain, Alaska, © J. Keith Schreiber 1998 negative/1999 print. Clockwise from top left: untoned salted paper, gold-borax toned salted paper, selenium toned salted paper 1:100, and a palladium print for comparison. Schreiber says, “I had the pleasure in the late 1990s of assisting michael Gray of the Fox Talbot Museum at a workshop he gave at the center for Creative Photography (University of Arizona, Tucson) where I was employed at the time. The prints shown here illustrate a few of the variations in the color of the final image that are possible. “I work primarily with the platinum/palladium process using original large-format ...