August 2013
Beginner
256 pages
5h 49m
English
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Preface
This is the third edition of my book that delineates the methodology of film continuity—an integral facet in film production.
My first and second editions were published under the title Script Supervising and Film Continuity. Recently, the IATSE (International Association of Theatrical and Stage Employees) revised the title to: Script Supervisor/Continuity Coordinator. Sadly, this nomenclature perpetuates the misconceptions that abound with regard to the complex nature and major responsibilities of the job. I reiterate: the particular aspects of the craft have nothing to do with creating, revising, or supervising the written script per se.
During principal photography of theatrical motion pictures, movies for television, episodic television, ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.