July 2013
Beginner to intermediate
344 pages
10h 1m
English
Content preview from Sound and Music for the Theatre, 3rd EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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8
Recording, Editing, and Refining Cues
All of the sound and music cues need to be prepared for performance conditions. Once you’ve collected the sounds for your design, they can then be put in their final form. Prerecorded cues need to be gathered, mixed, and edited. Original music or soundscore elements need to be recorded, mixed, and prepared for the production. Live effects and practicals must be set up, listened to, and refined.
PRERECORDED CUES
Under most circumstances, theatre sound calls for using the same recording and editing techniques that are employed in other genres, such as film or music recording. As in these other fields, it’s important to make your cues as clean as possible. Recordings with imperfections or noticeable digital ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.