Book description
This classic work has inspired and informed a whole generation of artists and technicians working in all branches of the audio industry. Now in its seventh edition, The Sound Studio has been thoroughly revised to encompass the rapidly expanding range of possibilities offered by today's digital equipment. It now covers: the virtual studio; 5.1 surround sound; hard drive mixers and multichannel recorders; DVD and CD-RW.Alec Nisbett provides encyclopaedic coverage of everything from acoustics, microphones and loudspeakers, to editing, mixing and sound effects, as well as a comprehensive glossary.
Through its six previous editions, The Sound Studio has been used for over 40 years as a standard work of reference on audio techniques. For a new generation, it links all the best techniques back to their roots: the unchanging guiding principles that have long been observed over a wide range of related media and crafts.
The Sound Studio is intended for anyone with a creative or technical interest in sound - for radio, television, film and music recording - but has particularly strong coverage of audio in broadcasting, reflecting the author's prolific career.
Table of contents
- Cover
- Half Title
- Dedication
- Title Page
- Copyright Page
- Table of Contents
- Introduction
- About the author
- 1 Audio techniques and equipment
- 2 The sound medium
- 3 Stereo
-
4 Studios and acoustics
- The range and function of studios
- Noise and vibration
- Reverberation
- Coloration
- Studios for speech
- General-purpose sound studios
- Music studios
- Dead pop music studios
- Television and film studios
- Acoustic treatment
- Using sound absorbers
- The use of screens
- Altering the acoustics of concert halls
- Acoustic modelling of studios
- Acoustic holography
-
5 Microphones
- Microphone properties
- Directional response
- The frequency response of practical microphones
- Proximity effect
- Cardioid and hypercardioid microphones
- Switchable microphones
- Highly directional microphones
- Noise-cancelling microphones
- Microphones for use in vision
- Boundary microphones
- Personal microphones
- Radio microphones
- Contact and underwater microphones
- Directional characteristics of A and B stereo pairs
- Windshields
- Mountings
- Cables and connectors
- Microphone checks
- Lining up a stereo pair
- 6 Microphone balance
-
7 Speech balance
- Microphones for speech
- Interviewing with a hand-held microphone
- Three or more voices
- Studio noise
- Handling a script
- Speech in stereo
- Boom operation
- Slung and hidden microphones
- Microphones in vision
- Using gun microphones
- Using personal microphones
- Radio drama
- Open-air acoustics
- Stereo drama
- Stereo drama problems
- Audience reaction
-
8 Music balance
- 'Natural' balance
- Music studio problems
- One microphone or many?
- Individual instruments and groups
- Violin, viola
- Cello, bass
- More strings: acoustic balances
- Electric guitar family
- Grand piano
- Piano and soloist, two pianos
- Upright piano
- Harp, harpsichord, celesta
- Piano accordion
- Harmonica
- Woodwind
- Saxophones
- Brass
- Percussion, drums
- Singers: solo and chorus
- The orchestra
- Orchestra: spaced microphones
- Pipe organ with orchestra
- Orchestra with soloists or chorus
- Opera
- Classical music in vision
- Televised opera
- Popular music
- Larger groups
- Multimicrophone layout
- Popular music in vision
-
9 Monitoring and control
- Quality and the ear
- Loudspeakers
- Monitoring layout
- Control consoles and racks
- Digital conversion
- Automated and digital consoles
- Channels
- Group and master controls
- Faders
- Stereo image controls
- Tracklaying, multitrack recording and mix-down
- Control console checks
- Monitoring sound quality: noise
- Hum
- Distortion
- Crosstalk
- Subjective quality checks
- 10 Volume and dynamics
- 11 Filters and equalization
- 12 Reverberation and delay effects
- 13 Recorded and remote sources
- 14 Fades and mixes
-
15 Sound effects
- The conventional use of effects
- Surrealistic effects
- Spot effects
- Doors
- Footsteps
- Telephones, bells and buzzers
- Personal action effects
- Gunplay
- Creaks, squeaks, swishes, crackles, crashes and splashes
- Horses' hooves
- The recorded sound picture
- The use of recorded effects
- Recorded effects in stereo
- Changing the pitch of an effect
- The recorded effects library
- Acoustic foldback
- Effects for television and film
- Footsteps in vision
- Wind, rain and fire in vision
- Sound equipment in vision
- Television sports and events
- Sound effects on film
- 16 The virtual studio
- 17 Shaping sound
- 18 Audio editing
-
19 Film and video sound
- Time code
- Picture and sound standards
- Choice of location
- Film and video sound recording
- Film and video recording routine
- Film and video documentation
- Videotape editing
- Digital video editing
- Rough and fine cutting
- Shot list, commentary and music
- Tracklaying
- Conforming sound and picture
- Post-synchronization
- Mixing sound for picture
- Film sound editing
- 20 Planning and routine
- 21 Communication in sound
- Glossary
- Bibliography
- Index
Product information
- Title: Sound Studio, 7th Edition
- Author(s):
- Release date: July 2003
- Publisher(s): Routledge
- ISBN: 9781136116858
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