July 2003
Intermediate to advanced
400 pages
18h 10m
English
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Chapter 6
Microphone balance
Earlier chapters have described the physical nature of sound and how it behaves in an enclosed space, such as a studio. We have also seen how a microphone converts the energy of sound into its electrical analogue – which it should do faithfully (or with changes that are known, understood and acceptable) and at a level suited to onward transmission. Now we must put all of these elements together. This chapter describes the principles that govern the relationship between microphones and their acoustic environment: sound sources, ambient sound (reverberation) and unwanted sound (noise). The application of these principles to speech and music are described in Chapters 7 and 8, and to effects in Chapter 15.
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.