book

Taking Blender to the Next Level

Name: Taking Blender to the Next Level
Author: Ruan Lotter
ISBN: 9781803233567

by Ruan Lotter

May 2022

Intermediate to advanced

520 pages

10h 58m

English

Packt Publishing

Read now

Unlock full access

Taking Blender to the Next Level
ContributorsAbout the authorAbout the reviewer
Preface
Who this book is forWhat this book coversTo get the most out of this bookDownload the example filesDownload the color imagesConventions usedGet in touchShare Your Thoughts
Part 1: Modeling, Materials, and Animation Workflows
Chapter 1: Using Geometry Nodes to Create Dynamic Scenes
Introduction to Geometry Nodes in BlenderThe Geometry Nodes workspaceGeometry NodesCreating and manipulating geometry using nodesCreating the base meshCreating a new Geometry Nodes modifierCreating our instance objectCreating our first nodesSpecifying the instance objectThe Subdivide nodeThe Point Scale nodeDifferent types of attributesThe Point Rotate nodeThe Point Translate nodeThe Attribute Randomize nodeRandomizing the Scale attributeRandomizing the Position attributeRandomizing the Rotation attributeChanging the instance objectMuting nodesUsing textures to control attributesThe Attribute Sample Texture nodeAnimating with Math nodesThe Attribute Vector Math nodeSummary
Chapter 2: Creating a Motion Graphics Scene Using Geometry Nodes
Creating our base mesh and instance objectCreating the base meshCreating the instance objectDistributing the instance object across our base meshUsing an empty object to calculate proximity dataCalculating the proximityUsing the proximity data to modify the attributesAdding our nodesNaming the input valueAnimating our sceneAdding keyframesAdjusting the overall scale of the instance objectsAdding color using materialsSummary
Chapter 3: Organic Modeling P1: Creating a Mushroom
Creating our base mesh for the mushroomUsing primitive objects to create our base meshOptimizing our topologyUV unwrapping our modelThe UV Editing workspaceAdding seamsUnwrapping the facesAdding more seamsUnwrapping the stemOptimizing the UV layoutThe multiresolution modifierStatistics overlaySculpting finer detailsSetting up the sculpting workspaceSculpting basicsSculpting finer details onto our mushroomUsing a lattice to shape your overall modelThe Lattice modifierShaping your mesh using the lattice objectCreating a low-poly and high-poly meshDuplicating our modelsApplying the modifiersBaking the normal mapCreating the blank normal map image textureBaking from the high-poly mesh to the image textureSaving the normal map textureSummary
Chapter 4: Organic Modeling P2: Creating the Landscape around the Mushroom
Creating the landscapeAdding grass using Geometry NodesCreating the individual grass bladesScattering the grass blades using Geometry NodesSummary
Chapter 5: PBR Materials: Texturing our Mushroom Scene
Adding materials to the mushroomThe mushroom stemThe top part of the mushroomAdding materials to the landscapeCreating a procedural grass materialUsing an HDRI, Sky Texture, and Sun to light our sceneSummary
Chapter 6: 3D Scanning and Photogrammetry: Creating Your Own 3D Scans
Taking photos for 3D scanning/photogrammetryCamera settings and best practicesUsing Meshroom to convert photos into a 3D modelCleaning up a model using BlenderImporting the model created by MeshroomOptimizing the topology of a model using Instant MeshesUV unwrapping and texture bakingUV unwrappingTexture bakingSummary
Chapter 7: Modeling an Alien Cartoon Character
Creating reference images of your characterSetting up the reference images in BlenderModeling an alien cartoon characterModeling the bodyModeling the headModeling the legs and feetModeling the arms and handsModeling the eyesModeling the mouthAdding smaller details to our characterSummary

Chapter 8: Rigging and Animating Your 3D Cartoon Character
Installing the Rigify add-onImporting our character and getting it ready for the rigging processImporting our character modelApplying any active modifiersRigging the character using RigifyRigging the upper part of the characterRigging the lower part of the character's bodyRigging the torso, arms and hands of our characterFinal rig alignmentIK versus FK and rig layersIK versus FKRig layersAnimating the walk cycleSetting up key pose number oneSetting up key pose number twoSetting up key pose number threeSetting up key pose number fourCreating inverted keyframesLooping the walk cycleSummary
Part 2: Let's Do Some Physics
Chapter 9: Rigid Body Simulation: Destroying a Statue Using Physics
Installing the required add-onsSetting up the sceneUsing Cell Fracture to break our model into smaller piecesFracturing the impact point using the Annotation PencilRigid Body physicsRigid Body physics propertiesTransferring Rigid Body physics properties to other objectsConfiguring mass, gravity, and speedLinking fractured pieces together using Rigid Body ConstraintsAnimating a Rigid Body impact objectBaking the final physics simulationSummary
Chapter 10: Dynamic Cloth Simulations
Importing our character and walk cycleAdding a rest poseCreating clothing for our characterThe cloth simulationUsing forces to enhance the simulationBaking the cloth simulationAdding final modifiersSummary
Chapter 11: Creating Dynamic Hair Using Particles
Reusing our alien character and walk cycle animationCreating a Vertex GroupCreating hair particles that interact with physicsGrooming and stylingBaking the hair simulation to cacheSetting up a hair shader for renderingSummary
Part 3: Match Moving and Compositing
Chapter 12: Matching Blender's Camera Movement to Live Action Footage
Creating an image sequence from a videoImporting the image sequence into BlenderCamera tracking or match movingPlacing trackers in the viewportTracking features that go off-screenSolving and refining the track and orienting the sceneTesting the camera track with test objectsSummary
Chapter 13: Compositing the Alien Cartoon Character onto the Live Action Footage
Importing our alien character and tracked camera into a new Blender projectConverting the tracked camera to keyframesImporting the tracked camera into our new projectImporting the live-action image sequencePositioning our character in the sceneMatching the lighting to our live-action sceneAdding an HDRI image to light our sceneConfiguring View LayersUsing collections to separate render elementsCompositing using nodesRendering out one frameInitiating the compositing processChanging the backdrop imageColor grading the live-action footageBlurring shadowsColor grading our imageSummary
Chapter 14: The Final Render
Understanding the render settingsEnabling Motion BlurRendering an animation as an image sequenceConverting the image sequence into an MP4 videoSummary
Why subscribe?
Other Books You May EnjoyPackt is searching for authors like youShare Your Thoughts

Content preview from Taking Blender to the Next Level

Chapter 12: Matching Blender's Camera Movement to Live Action Footage

In this exciting chapter, we're going to focus on camera tracking in Blender. Camera tracking or match moving, as many call it in the film and visual effects (VFX) industry, is the process of matching the movement of a real-world camera with a virtual camera in your 3D software. One of the main reasons you would do camera tracking is to insert 3D objects such as characters, props, buildings, explosions, particles, or anything you can imagine into a live-action scene where a moving camera is being used.

This process is also used extensively with scenes that make use of a green screen, where the full background behind the actors needs to be replaced. Tracking markers are often ...

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.

Read now

Unlock full access

More than 5,000 organizations count on O’Reilly

O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.

Julian F.

Head of Cybersecurity

I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.

Addison B.

Field Engineer

I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.

Amir M.

Data Platform Tech Lead

I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.

Mark W.

Embedded Software Engineer

Publisher Resources

ISBN: 9781803233567

Cloud Computing

Data Engineering

Data Science

AI & ML

Programming Languages

Software Architecture

IT/Ops

Security

Design

Business

Soft Skills

Taking Blender to the Next Level

by Ruan Lotter

Chapter 12: Matching Blender's Camera Movement to Live Action Footage

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.