Culture is like a magnetic field, a patterned energy shaping history. It is invisible, even unsuspected, until a receiver sensitive enough to pick up its messages can give it a voice.
I’ve put up a new picture, a photograph bought for me at an Edward Weston exhibit last April. The composition shows a young woman, all in black, posed against a high, white fence. She half turns toward the camera; her right hand lies tentatively across her heart. The shadow of a leafless tree (I imagine it to be a young oak) curves up and over this slight figure. Actually, it does more than curve; the shadow arches behind her in a gesture of protection. Almost a bow of respect.
Why do I like this picture so much? I glance at it ...