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the leaP
Yellow
I had a lot of things on my mind the day I planned
to leave the law firm in 2004, not least of which
was my resignation speech. But whatever room was
left over was taken up by the idea for Yellow. More
than anything else, Yellow was the idea that made
it impossible for me to continue living as I was, and
forced me to make the leap to pursue my art full time.
I sketched Yellow out on memo pads, Winston &
Strawn stationery, drink coasters, restaurant receipts,
and tablecloths hundreds of times before I actually
built it.
Yellow is also one of those pieces whose meaning
has changed for me over time. When I dreamed it
up, it was part of a trilogy representing birth, life, and
death. Yellow was death, a man tearing himself apart
and seeing his vital essence spilling out on the ground
before him. Originally, I wanted organs coming out
too—really graphic stuff.
“Look on every exit as being an entrance
somewhere else. —Tom Stoppard”
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But in the two years it took to translate the idea
into a finished work, the guts stopped being guts
and became just bricks. And once it appeared in
shows, Yellow began to be seen as a standalone
piece, represented on posters and book covers and
websites without its companions, Blue (birth) and
Red (life), to provide context.
I think now, with the benefit of
a decade’s hindsight, that
Yellow is not about death
at all, but about opening
yourself up to the world
without fear or reserve. It’s about
dropping the mask and the hundreds of little
compromises you make every day to show the world
the true you, and letting life come at you as it may.
The frustrations and anxieties I felt when I lived a
lawyer’s life were never the result of privation or lack
of opportunity. Quite the opposite: I was presented
with choices, and I made the “right” one every time.
Somehow, after making all those “right” choices, I
ended up in the wrong place. So I decided to make
a wrong choice instead. And I have Yellow to thank
for that.
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