March 2013
Beginner
468 pages
12h 25m
English
Content preview from The Game Production Handbook, 3rd EditionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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21
Voiceover
In This Chapter
• Planning for Voiceover
• Choosing a Sound Studio
• Bid Packages
• Casting Actors
• Recording Voiceover
• Voiceover Checklist
21.1 Introduction
Players have come to expect high-quality voice work in their games; they seek to become immersed in the game world, and that means believable characters who speak appropriate dialogue in a convincing manner. Great voiceover work adds to a game’s appeal and makes a good game better. Conversely, poor voiceover work detracts from the game experience.
Because of this desire to fully immerse the player in the game world, voiceover work is also becoming more complex and, thus, more ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.