Job No:11-22360 Title:RP-Language of Graphic Design
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Corboy, Aleta, 242
The Courage to Create (May), 129
Cranbrook Academy of Art, 187
cropping, 214–215
Cyclopedia, 117
D
Dance magazine, 99, 108
Darden Studio, 35
Darfur, 215
Darien Library, 94
Darmstadt Artists’ Colony, 15
Davies, Robertson, 231
The Day of the Locust (West), 80
Daycorp Property Development, 104
de Stijl movement, 143, 165, 191
Deberny & Peignot, 221
Design UK, 24
Designing the News, 63
Despair (Nabokov), 162
deWilde, Barbara, 162
Dickens, Charles, 189
Did Graphics Inc., 173
Diller Scofidio + Renfro, 96
direction, balance and, 117
Divina Proportione (Pacioli), 222
Divine Hierarchies (McCloud), 128
Divine Proportion: Phi in Art, Nature, and
Science (Hemenway), 223
Dizionario dei Luoghi Comuni (Flaubert),
234–235
The Dogs of Lincoln Park (Welsh), 172
Dollhouse (Ibsen), 118
“Double Edge,” 257
Doyle, Stephen, 162
Dubai Waterfront Canal District, 120
Dürer, Albrecht, 222
Dwiggins, William Addison, 123, 160
E
Eames, Charles, 61
Eames, Ray, 61
École des Arts Décoratifs, Geneva, 161
Edel Rodriquez Studio, 77
Edenspiekermann, 241
Eggers, Dave, 162
Element, 97
Emblem, 63
emerystudio, 28
Emil Ruder: Typography, 191
Emma (Austen), 244
Euclid, 222
Everything Italian, 79
Evolutiva, 84
Exile and the Kingdom (Camus), 207
Experimenta typographica, 181
expression
definition, 158–160
historic references, 160, 164
visual, 164, 167
The Eye (Nabokov), 162
F
Fahim, Erini, 202
Fahrenheit 451 (Bradbury), 232
The Fall (Camus), 207
Farevaag, Bryan, 88, 121
A Farewell to Arms (Hemingway), 127
Feaver, William, 237
Felton, Nicholas, 90
Felton Communication, 195, 203
figure-ground
characteristics, 205–206
definition, 198–200, 202
elements, 202–203
and letterform compositions, 202, 203,
205
types of, 203–205
“Film Project,” 100
Finian’s Rainbow, 52
First Amendment tablet, Newseum, 135
Fisher, Jack Henrie, 187
Flaubert, Gustave, 41
For Whom the Bell Tolls (Hemingway), 126
Form, 24, 42, 98, 262
form
definition, 40–42
projections, 44–46
spatial depth, 46
tone and shading, 46
types of, 44
visual relationship between typographi-
cal and architectural form, 46,
54–55
vs. shape, 39
Fort Worth Opera Festival, 205
Fortner, Wolfgang, 23
Fox River Paper, 79
frame
characteristics and functions, 210, 212
definition, 208–210
forms and functions, 212, 214–215, 217
Fraser Muggeridge Studio, 91, 135
Frizz, 88
Froelich, Janet, 165
Frutiger, Adrian, 221
Fulford, Jason, 162
Fuller, Richard Buckminster, 141
Funky Lofts, 37
Fuszion, 78
Future Flight, 139
G
Gall, John, 16, 80, 145, 162, 207
Geiger, Lorenzo, 107, 269
Geismar, Thomas, 75, 229
Gertsner, Karl, 115
“Get It On,” 203
Girard, Alexander (Sandro), 61
Girard Management, 206
Glengarry Glen Ross (Mamet), 230
The Goat or Who Is Sylvia? (Albee), 253
Goethe, Johann Wolfgang von, 11
Goldberg, Carin, 162
golden ratio, 223–224
golden rectangle, 224
golden section rectangle, construction of,
225
The Good Men Project: Real Stories from
the Front Lines of Modern Manhood
(Houghton, et al., eds.), 137
“Good Work,” 167
Goodbye, Columbus and 5 Short Stories
(Roth), 75
Goodman, Timothy, 127
Gotham Construction, 266
Gottschalk, Fritz, 197
Gould, Annabelle, 17, 26, 94, 242
Gralnick, Laura, 99, 108, 147, 152
Gran Premio dell’Autodromo di Monza
(Monza Grand Prix), 95
Grant, Roderick, 202, 233
Graphic Design in China, 154, 258
Graphic typefaces, 254
Green World (Cunningham), 111
grid
anatomy of, 268
applications, 267–269
definition, 260–262
evolution of, 264–265
functions, 265–267
historical references, 262, 264
statistics, organization and structuring
of, 269
Grid Systems in Graphic Design
(Müller-Brockmann), 265
Grootens, Joost, 89, 121, 134
Gropius, Walter, 15
Grosz, George, 75
The Guardsman (Molnar), 230
Guggenheim Museum, 195
“A Guide to Yale College,” 266
Gutenberg Prize, 221
Guthrie Theater, 118
H
Harak, Rudolph de, 229
Harvard University, 229
Index
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Job No:11-22360 Title:RP-Language of Graphic Design
12-C59773 #175 Dtp:204 Page:279
Job No:11-22360 Title:RP-Language of Graphic Design
12-C59773 #175 Dtp:204 Page:278
276-285_C59773.indd 279 12/12/10 11:42 AM

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