Job No:11-22360 Title:RP-Language of Graphic Design
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th e la n guag e of gr ap hic d es i gn
(Text)
Old Police Headquarters building, 39, 138
Old Style typefaces, 253
Olin, 14
One Degree program, 87
160over90, 74
“The 1%”, 216–217
One Week of the Guardian, 63
Open Source, 176
O’Shaughnessy Asset Management, 152
The Outsiders (Hinton), 119
Overture, 132
P
Pale Fire (Nabokov), 162
Paone Design Associates Ltd., 257
Paris Diderot Université, 14
Parsons School of Design, 75
pattern
basic structures and forms, 241, 243, 245
definition, 236–238
historical influences, 240–241
relationship to color and composition,
242
“Peace One Day,” 200
Penguin Books, 125
Pentagram, 14, 24, 32, 62, 78, 96, 111, 120,
266
Perricone MD, 137, 254
perspective, 45, 90, 108–110
Pfau Long Architecture, 148
Philographica, 66
photography vs. illustration, 234
Picasso, Pablo, 13
Pinabel, Laurent, 80, 145, 167, 186, 212
Piscatello Design Center, 38
The Plague (Camus), 207
Plakastil mode, 239
planar/two-point perspective, 45, 110
PMP Limited Melbourne, 28
Pnin (Nabokov), 163
point
characteristics, 16
definition, 12–14
in environment and everyday objects, 17
and offset printing, 17
Point Loma Nazarene University, 22
“Pop Justice,” 42
Posavec, Stefanie, 116
Potts, Sam, 162
Poulin, Richard, 27, 65, 99, 108, 147, 152
Poulin + Morris Inc., 34, 120, 135, 137, 142,
146, 149, 155, 156, 157, 167, 206, 220,
223, 242
Pratt Institute, 75
The Prisoner of Guantánamo (Fesperman),
145
Prix Émile Hermès, 26
projections, 44–46, 45
Promenades, 228
proportion
basic relationships, 223
definition, 218–220
golden ratio, 223–224
golden rectangle, 224
golden section rectangle, construction
of, 225
historical references, 220, 222
“Prospect New Orleans,” 213
Public Inc., 148, 216
Pump House Gallery, 91
Pure + Applied, 29, 213
Pure Love Puccini series, 50
R
Rancier, Isabelle, 244
Rand, Paul, 23, 75, 153, 229
Random House, 162–163
The Real Life of Sebastian Knight (Nabokov),
163
The Real Show, 78
The Rebel (Camus), 207
reflective symmetry, 126–127
Resistance, Rebellion, and Death (Camus),
207
rhythm, effects of, 100
Rhythm Textures, 116
Rime (Buonarroti), 234–235
Ring Around the Moon (Anouilh), 76
Ripped: How the Wired Generation
Revolutionized Music (Kot), 106
Rockwell, Jarvis, 54
Rodchenko, Alexandr, 33
Rodrigo Corral Design, 60, 67, 71, 80
Rogers Eckersley Design, 27, 54, 56, 128, 138
Rondthaler, Edward, 249
rotative symmetry, 129
Rothko, Mark, 171
Roundabout Theatre Company, 118
Ruder, Emil, 191, 264
The Ruined Map (Abe), 80
Ruskin, John, 159
Russian Constructivism, 33
S
Sachplakat mode, 239
Sacks, Oliver, 10
Saegusa, Takako, 50
Safe Horizon, 27
Sagmeister Inc., 47, 193, 238
Sahre, Paul, 253
Saint-Exupéry, Antoine de, 169
Sandberg, Willem, 181
Sandwich Creative, 230
Sans Serif typefaces, 254
scale
atlas, use of in, 89
and context, 87–88
definition, 82–84
and optical effects, 88–90
representation of data about personal
activity, 90
types of, 84, 86
use of, 86–87
Schlemmer, Oskar, 161, 201
Schmidt, Joost, 51
Scholastic, 39
School of Applied Arts
(Kunstgewerbeschule), Zurich, 95, 153,
221
School of Arts and Crafts, Amsterdam, 143
School of Visual Arts, 121, 128–129, 149, 160
Schule fur Gestaltung or AGS (Allgemeine
Gewerbeschule Basel School of Art and
Crafts), 153, 201
Scrap House, 155
Scripps Research Institute, 228
Seagull, 97
Seeds of the Cities, 19
Seitz, Peter, 201
semiotics, 201
Sense & Sensibility (Austen), 244
Sense Team, 19, 154, 258
Shakespeare, William, 73
shape
and balance, 117
categories of, 37
characteristics, 32, 34
definition, 30–32
vs. form, 39
The Shape of Globalization: World Auto
Industry, 18
The Shape of News, 264
Shaw, George Bernard, 151
Shopsin, Tamara, 162
Signature Theatre Company, 22
SINO, 216
Slab Serif typefaces, 254
Slavko, 192–193
Smithsonian Institution, 44
Soapbox Design Communications, 231
Society of Young Artists, 33
The Sold Appetite, 33
Sondheim on Sondheim, 110
Soto, 214–215
Soulpepper Theatre, 76–77, 230
space
characteristics and techniques, 106–108
definition, 102–104
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Job No:11-22360 Title:RP-Language of Graphic Design
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