The Photographer's Mind

INDEX

3:2 format 100, 101, 104–5

4:3 format 100, 101, 104

16.9 frame 100–1

35mm film 100, 101

A

abstraction 12–14, 16, 44, 64, 81, 128

Adams, Robert 22, 36, 124, 126

Addison, Joseph 42

aerial perspective 114–15, 139

Akha people 12–13, 113

ambiguity 74

Angkor, Cambodia 34, 39, 50

angle

of camera 68–9, 132

of line 110

Anschluss, Vienna, March 1938 (Metzger) 46

appropriation 60

architecture 23, 49–50, 125, 127–8

Arnheim, Rudolf 78

art 160

photography as 14, 16, 18, 30

processes 149

styles 84, 88, 104, 116–17, 124, 128, 130

asymmetry 98, 134

see also offsetting

Atget, Eugène 60

audience importance 64, 66, 86

automatism 60

B

background-foreground 93, 96, 114–19

backlighting 42, 156

balance 84–5, 90–100, 114, 126, 134–5, 152

Barnack, Oskar 100

Bauhaus ...