May 2013
Beginner to intermediate
204 pages
10h 26m
English
Content preview from The Screenwriter’s Roadmap
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
12
WHAT'S THE “AHA” MOMENT?
Position Your Protagonist at a Crossroads at the End of Act Two
The end of the second act is often referred to as the “all is lost” moment. It might seem like the Worst Thing That Could Happen—but things are actually going to get even worse (see Chapter 14 on Climaxes).
After spending the bulk of the second act trying to accomplish a major goal, your protagonist has arrived at a crucial make it or break it moment. It's a low point because they're losing hope that their Plan A goal can actually be accomplished. Your protagonist's early rumblings of existential introspection at the midpoint—the “Who Am I?” introspection—is now being forced to the forefront and will require active soul searching. In act three, often ...
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