Section Three
beyond the basics
Low mode
a new range of lens heights
There are many simple (and relatively inexpensive) ways to rearrange or extend the parts of your sled to help you get a specific shot.
One of the first and most important rearrangements was done for Stanley Kubrick on The Shining, where Garrett placed the electronics and monitor above the camera to create a new range of low lens heights.
On the set, Danny Lloyd used to move ...
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