5
AN INTERVIEW WITH STEFAN MORAWSKI
Chris Rojek
When did you start to become interested in the subject of postmodernity?
I do not exactly remember when I first came upon the term ‘postmodernism’. It was probably in the midst of the 1970s, either in the Centre for Twentieth-Century Studies in Milwaukee where I happened to have the privilege of a one-year fellowship, or else in Munich where I resided a little later as the guest professor at the university. But I did not pay due attention to it; I took the term at its face value as a kind of naming of a couple of things which appeared on the new artistic scene. In turn, my encounter with it in the work of Hassan and Higgins, as well as my discussions with the young German architects who referred ...
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