Chapter 31. Stages
It is great to have a stage with seemingly no boundaries. When the stage is completely packed with lighting effects, and when they are used at the right moment and with the right colors, you only have to press the button again and again ...
Figure 31.1. Marco Borsato, 2004. Fujifilm Finepix S2, 1/90 sec, f/4.8, ISO 1600, 30 mm
There is always the possibility of taking a good shot. It is completely up to you, especially when you take a shot of the whole stage. Most professional photographers only get the first three songs front stage and never get a chance to make a photo like this. You only get such a privileged standpoint when ...
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