Chapter 7 Light and Color
DOI: 10.4324/9780240814667-7
Many times, you have no control over when or where you will shoot when gathering documentary footage. If the subject is a wrestler, you are likely to be in a gym, regardless of the poor quality of the light. If the subject is a new Marine recruit, you’ll need to be there before dawn for roll call. Sometimes, though, on certain stories, you can decide when to shoot and when to interview, ...
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