November 2012
Beginner
248 pages
7h 25m
English
Content preview from Writing for Animation, Comics, and GamesBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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CHAPTER 7
Breaking and Entering
Breaking into comics solely as a writer is a challenge. It’s easy for an editor or publisher to evaluate an artist’s portfolio at a glance. Writers require more effort.
Obviously, if you’re an established pro in another area—such as TV, film, or novels—it’s easy to call a comics company, lay out your background, and make inquiries into writing for their books. Well-known TV and film writers are especially welcome.
If you’re a new writer without credits in other areas of writing, you’ll need to prove yourself by having a lot of creative story pitches, then do your best to get those pitches read by editors.
The worst way to do this is submitting by mail without a personal contact. Never, under any conditions, submit ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.