Skip to Content
Writing Interactive Music for Video Games: A Composer’s Guide
book

Writing Interactive Music for Video Games: A Composer’s Guide

by Michael Sweet
September 2014
Beginner
512 pages
14h 5m
English
Addison-Wesley Professional
Content preview from Writing Interactive Music for Video Games: A Composer’s Guide

Chapter 26. Contracts, Rights, and Work for Hire

In this chapter, you’ll explore the paperwork and agreements involved with composing music for a game. You’ll learn about the concept of music for hire and discover how it applies to music copyrights. In addition, you’ll explore the various kinds of documents you’ll encounter as a composer, including music contracts, non-disclosure agreements, and various tax documents.

The Legal Side of Composing

The job of a video game composer involves more than just writing music. It also includes being a business person, a sales person, a computer technologist, a designer, an amateur programmer, and a music expert. This chapter explores the business side of composing for video games, including the various ...

Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.

Read now

Unlock full access

More than 5,000 organizations count on O’Reilly

AirBnbBlueOriginElectronic ArtsHomeDepotNasdaqRakutenTata Consultancy Services

QuotationMarkO’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.
Julian F.
Head of Cybersecurity
QuotationMarkI wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.
Addison B.
Field Engineer
QuotationMarkI’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.
Amir M.
Data Platform Tech Lead
QuotationMarkI'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
Mark W.
Embedded Software Engineer

You might also like

Music Editing for Film and Television

Music Editing for Film and Television

Steven Saltzman
Mixing Music

Mixing Music

Michael Miller

Publisher Resources

ISBN: 9780133563528Purchase book