Telling the Dramatic Story
You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose.
Orson Welles undoubtedly would have agreed that the images of a narrative film, whether visual or aural, should, like the language of a novel or short story, serve to illuminate the tale. Rust Hills, in his excellent book on writing the short story, elaborates on a similar point: “A successful short story will thus necessarily show a more harmonious relationship of part to whole, and part to part, than it is usual to find in a novel. Everything must work with everything else. Everything enhances everything else, ...