What Is a DCP?DCP Is Easy as One, Two, Three StepsCompressionEncryptionPackagingSome Technical Specs for the TechiesQCChoosing a Facility, or NotGotchasOther MediumsMXFWhat Is E-Cinema?3D ProjectionHow Does DLP Work?Color CorrectionWhy Color Correction Is NecessaryWho, What, WhenHowWhat Can Go WrongHow LongWhat Happens NextCan I Do It at Home?FilmThe Color-Blind ProducerSummaryCredits and TitlingCreditsTips for Creating CreditsCredits for FeaturesCredits for TV 90-Minute Programs/PilotsCredits for EpisodicsUnion Rules Regarding CreditsWGADGASAGChoosing a FontMine Is BiggerRed AlertTitlingTitle PartsTitling RequirementsTextless – It’s Not a StateDigital in, Film outSo, What Is This Film-Out Thing?Understanding Data ResolutionFilm-Out SpecificationsThe Film RecorderSound for Film-Out2-PopFilm CompletionFilm FinishFilm Opticals vs. A/B CuttingSingle-Strand Opticals: Fades, Dissolves and EffectsA/B Opticals: Fades and Dissolves OnlyChoosing the Right MethodNegative Cut/Negative ConformAccessibilityClosed-CaptioningIt’s Not Just for the Hearing-ChallengedCaptioning NeedsSample Caption Work File SpecificationsUnderstanding Closed-Captioning in TheatersCaptioning Your MasterCaptioning vs. TitlingSubtitlesVideo DescriptionsAs-Broadcast ScriptsSummaryWrap-Up