Acknowledgements
The preparation for this book has not been accomplished alone. We owe our debt of thanks to our partners, families, friends, colleagues and mentors. Our understandings on colour and print have certainly been informed and challenged by a highly knowledgeable group of scientists, technologists, artists, designers and practitioners. It has been shaped by discussion through European colour projects including CREATE and CP7.0 and conferences including IS&T, CGIV and AIC. We consider ourselves as observers and collectors, theorists and practitioners in this newly emerging technology. We will also draw from many different aspects of visual culture, heritage and traditional industries including crafts, design and applied arts, which has provided alternative insights for 2.5D printing applications.
This work is in collaboration with Xavier Aure, Teun Baar, Michaela Harding, Jesse Heckstall‐Smith, Stephen Hoskins, David Huson, Peter McCallion, Paul O'Dowd, Melissa Olen, Theo Phan‐Van‐Song and Peter Walters.
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