November 2007
Intermediate to advanced
480 pages
13h 56m
English
Content preview from Adobe After Effects CS3 Professional Studio Techniques
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Chapter 11. 32 Bit HDR Compositing and Color Management
True realism consists in revealing the surprising things which habit keeps covered and prevents us from seeing.
–Jean Cocteau (French director, painter, playwright, and poet)
You may already be aware that although After Effects by default matches the 8 bit per channel color limitation of your monitor, this is hardly the way to create the optimal image. Thus other modes and methods for color are available, including high bit depths, alternate color spaces and color management. Few topics in After Effects generate as much curiosity or confusion as these. Each of the features detailed here improves ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.