Acknowledgments
To deadlines that make the unfinishable complete.
This book wouldn’t exist without the dedication of the After Effects team at Adobe to make the best software they can for more than two decades, which is nearly how long I’ve been working with it. I started with CoSA After Effects 2.0 at LucasArts, one of the few proud beta sites—compositing back before I knew the term “compositor” existed—and quickly got to work blowing minds on my beige Mac.
In this edition, I also thank Adobe specifically in a couple of ways. I’ve said it before, but it bears repeating that there couldn’t be a better technical editor than Todd Kopriva, who made time in his more-than-full schedule to review this book. The whole After Effects team has to be thanked ...
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