PREFACE

When we agreed to take over the Audio Production Worktext from David Reese, Lynne Gross, and Brian Gross, we knew that we had very big shoes to fill. Over the years, they had constructed an excellent audio production textbook that became one of the leaders in the field. The last thing we wanted to do was to significantly alter the layout and the intent of the text. We did not want to radically alter the book and turn it into something both unrecognizable and unusable. We therefore decided that the best road to follow was the one paved by David, Lynne, and Brian—not just out of respect for their work over the years, but also for the instructors who used the textbook, and the students who learned from it. Readers can be assured that we ...

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