Beyond Spatial Montage
Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtaposition, and montage employed in both historical and contemporary motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, media theorist/artist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today’s film editors, motion designers, and other media artists.
Michael Betancourt is an internationally exhibiting ...
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