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Communication Acoustics: An Introduction to Speech, Audio and Psychoacoustics
book

Communication Acoustics: An Introduction to Speech, Audio and Psychoacoustics

by Ville Pulkki, Matti Karjalainen
January 2015
Intermediate to advanced
454 pages
17h 1m
English
Wiley
Content preview from Communication Acoustics: An Introduction to Speech, Audio and Psychoacoustics

6 Musical Instruments and Sound Synthesis

Music is different from speech in that its role is not so much to convey linguistic and conceptual content – although it may have this role also – as it is to evoke an aesthetic and emotional experiences. Both speech and music are sort of ‘utility’ sounds that are experienced mostly with a ‘positive’ attitude, although in some circumstances they may become annoying or disturbing: noise.

In addition to speech, music is the second major form of acoustic communication between humans. The psychoacoustics of intervals and melodies in music will be discussed later in this book in Section 11.6. We begin with the discussion of the formation of sounds in acoustical and electric musical instruments in this section.

Acoustic instruments generate a large set of different sounds (Fletcher and Rossing, 1998). If electroacoustic and electric instruments are also accounted for, the discriminable set of different instrument sounds is, in practice, infinite. However, most music and speech is composed of a limited set of types and structures of sounds, where certain basic properties hold. For example, woodwind or plucked string instruments form distinguishable families of musical instruments, where the principle of sound generation and the structure of the sound signal are similar within each family. We will discuss shortly some basic properties of acoustic and electric instruments and their sounds.

6.1 Acoustic Instruments

6.1.1 Types of Musical Instruments ...

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Publisher Resources

ISBN: 9781118866559Purchase book