Preface
This book is the complete opposite of the first edition. A main influence for this change is a documentary I watched a few years ago that involved a Canadian rock power trio and the soul searching they did regarding their fourth album and its content. I followed their design pattern for my fourth offering, in more ways than one.
In early May 2020, I sat on my couch, enjoying my Saturday morning ritual of Bugs Bunny, coffee, and guitar practice (it was Bach’s cello suites), glad that the COVID-semester was finally over and thinking about how I was going to change the way the synth projects would be presented for the new book, including distribution from my website. The first edition was overblown, and both my writing and coding styles ...
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