July 2022
Intermediate to advanced
394 pages
10h 58m
English
Content preview from Documentary Storytelling, 5th Edition
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CHAPTER 4Structure
A good way to gauge the status of a film in progress is to ask the filmmaker to tell you the story of the film in a brief, one- or two-paragraph pitch. If they immediately launch into a lengthy description of the opening shot or an amazing scene, the film might be in trouble. Visuals serve a story; they are not the story. Along the same lines, if the filmmaker starts to talk about the subject in broad terms—the film is about a soccer team, or World War II, or a famous author—there may also be a problem. To really get to the heart of the story, you need to have a sharper focus: What about World War II or that author or team? Given that subject, what story are you telling and how are you telling ...
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