December 2008
Intermediate to advanced
336 pages
7h 57m
English
Content preview from Edit Well: Final Cut Studio Techniques from the Pros<authorgroup>STEPHEN KANTER</authorgroup>Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Chapter 16. Sound Advice: Mixing
The sound mix starts with the picture edit in Final Cut Pro. Even before the final audio mix, gain levels must be adjusted so that all the different types of audio clips—SOT (sound on tape), sound effects, music—can be heard clearly by the editor, as well as by any producers, directors, or clients that visit the edit bay to review a cut. By toggling on clip overlays, you can adjust the pink overlay representing gain level, with or without keyframes, directly in the Final Cut Timeline (FIGURE 16.1). Although most adjustments to place sounds in a 3D space occur in the final mix, not during the rough cut in FCP, you can also load a clip into the Viewer to adjust and keyframe ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.