Acknowledgments
As I offer this book as a teaching guide to you, I want to take a moment to thank those who were at least as generous in their guidance of me. First to Vernon Wilson, the kindest teacher I ever had the pleasure of studying under. Vern is the only artist I’ve ever seen draw with the rhythm and grace of an orchestra conductor. Vern, the image of you drawing has been an inspiration to me my whole career. Thanks, my friend. You’re a good man!
Thanks to Dan McCaw. He started as my teacher and quickly became cheerleader and friend. Dan is the kind of soul who would give you the shirt off his back. His keen guidance during the years has given me gifts far greater. I also want to thank Harry Carmean for his masterful demonstration of ...
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